PDF Ebook The Open Road: Photography and the American Roadtrip, by David Campany

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The Open Road: Photography and the American Roadtrip, by David Campany

PDF Ebook The Open Road: Photography and the American Roadtrip, by David Campany

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Review

David Campany’s study of the great photographic odysseys across America reveals a country more diverse than ever. –The GuardianDavid Campany compiles a photographic boulevard of broken dreams running from the Swiss immigrant Robert Frank’s nomadic portraits of 1950s stragglers to the sinister 21st century manipulations of the team Taiyo Onorato and Nico Krebs, who document roads that exist only in some collective hallucination. –The New York Times LENS blogThe vastness is also erotic—it’s a void urban photographers and their subjects can disappear into. –The New York Times LENS blogBy the end, you'll feel as if you've been in the passenger seat for a page-by-page road trip of a lifetime. –Los Angeles TimesFrom shots of Mount Rushmore and the Pacific Coast Highway to glimpses of everyday life at roadside motels and pit stops, the photos highlight Americans’ long-standing fascination with the road, as a window into both the country’s cultural life—with the car window as a literal frame—and its pioneering attitude. – The Wall Street Journal

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About the Author

Historian David Campany is one of the best-known and most accessible writers on photography. He has published several books, among them Handful of Dust (2015), The Open Road: Photography and the American Road Trip (Aperture, 2014), Walker Evans: The Magazine Work (2013), and Photography and Cinema (2008). He contributes regularly to a range of publications, including Aperture and Oxford Art Journal.

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Product details

Hardcover: 336 pages

Publisher: Aperture; 1st Edition edition (September 1, 2014)

Language: English

ISBN-10: 9781597112406

ISBN-13: 978-1597112406

ASIN: 1597112402

Product Dimensions:

10.4 x 1.6 x 12.1 inches

Shipping Weight: 5.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#195,588 in Books (See Top 100 in Books)

Road trips have provided the fodder for many photographers, especially in America. The Open road offers an excellent overview of the genre and places the major names in American road photography in context, both chronological order and with the major art photography world at the time the photos were taken. So, the book works as a history of road trips, yet it is much more. The photos that chosen for the book make for an attractive and compelling photo book on their own. The introductory essays for each photographer offer a nice introduction to their photography and methodology, though I do have to agree that the typography in those essays is awful. The ornamentation (not technically ligatures, which connect two letters) on the letter s is particularly distracting. Fortunately, that distraction pales when we get a look at the photos.Obviously, no one volume can cover all the good photographer who have published compendium of road trip photos. The classic photographers are covered, like Frank, Winograd, Friedlander, Eggleston, Meyerowitz and Shore. The selection of current photographers is necessarily more a reflection David Campany's personal tastes. How could it be otherwise?The selection of images representing each photo book that he chose reflects nicely on the original source books, three of which I own. While no short selection of images can convey the breadth of the original road photo books, the ones here do reflect the tone of the originals and give enough of a sense of the photographer's work that we can choose which to pursue further.The printing is excellent. Colors look true to the films the photographers used. Black and white photos display a good tonal range. All in all, the prints are compelling. The binding is of good quality as is the printing.One feature that I love is an unofficial appendix that shows where each photographer made the original photos. There's a separate map for each photographer. This is a book that I will consult often and treasure.

Over the years I have accumulated a fair number of photography books. THE OPEN ROAD is already one of my favorites, and it surely will be one of those that I return to most often.The bulk of the book consists of photographs selected from road trip portfolios or books by eighteen different photographers. Many of the photographs are manifestly "open road" photographs, in the sense that they feature road vistas or scenes; some bear the clear indicia of having been taken from inside an automobile. But whether or not obviously an "open road" photograph, all were taken during an American road trip (some, for example, are motel room interiors).The first of the featured photographers is Robert Frank. The seven photographs of his are from his now classic book of 1959, "The Americans", which sported an introduction by the archetypal "open roader" Jack Kerouac. The last of the eighteen is the dual-headed TONK (the Swiss team of Taiyo Onorato and Nico Krebs), from their book "The Great Unreal", published in 2009. In between are such famous photographers -- famous in the sense that at least I was familiar with their work -- as Garry Winogrand, William Eggleston, Lee Friedlander, Joel Meyerowitz, and Joel Sternfeld. But some were new to me, and I appreciated being exposed to their work -- in particular, Jacob Holdt, Alec Soth, and Justine Kurland. (I list all eighteen photographers in a comment.)The book begins with a thirty-page, generously illustrated essay by David Campany. The purpose of that essay is to explore the cultural context leading up to Robert Frank's book. It goes back to the Rand McNally Photo-Auto Guides, launched in 1906, and discusses influential photographers of the American scene who were forerunners of Robert Frank, such as Walker Evans, Henri Cartier-Bresson, and Esther Burley. Then, for each of the eighteen highlighted photographers in the main section of the book, Campany provides a one-page introduction, placing that photographer's work within, or as an extension of, the tradition of American road photography. These essays by Campany are excellent.By the way, Campany traces the phrase "the open road" to Walt Whitman's poem "Song of the Open Road", from "Leaves of Grass". Whitman and his quintessential book of American poetry undoubtedly gave the phrase its enormous and resonant currency, but I suspect that it existed before Whitman (who was, after all, an inveterate "borrower" of mid-nineteenth-century Americana). In any event, as the title for this review I have used a line from Whitman's poem, as it seems to capture much of the ethos of American road photography.The book itself is over-sized (12 x 10 inches and about 5 pounds in weight) and handsome. The prints are of the high standards that we have come to expect from Aperture. There never is more than one photograph on a single page. A few of the photographs are printed across a two-page spread, so impeccably that there are no "gutter" breaks in the image. Page numbers and photograph captions are discrete. THE OPEN ROAD would make for an ideal coffee-table book, all the more so because, unlike many coffee-table books, it would be enjoyed by almost anyone who plops on the nearby sofa.

This gorgeous book surveys a very specific subgenre of photography -- photographic series based on road trips through America. It starts off with a short history of the American road, an even shorter history than I realized. At the start of the twentieth century, the road system had fallen into disuse (over 90% of intercity roads were unpaved) because of the dominance of trains. But as the auto came into use, the road trip came into being, and almost from the start photography was a key part of the road trip. The pictures in the early part of the book are fascinating, as is the history of the American road, and the American road trip.The heart of the book, however, is the central section, which shows road trip photographs by 19 highly accomplished photographers. It tells us a little about each photographer, talks about each road trip, and then shows the pictures. Some of the photographers are giants in the field: the presentation starts with a group of photographs from Robert Frank's iconic "The Americans", proceeds through Lee Friedlander and Garry Winograd, and moves on to Ryan McGinley. Some are perhaps less well known -- at least they were to this reader -- but their work is stunning. Most of the photographers are American, but not not all of them, and a few are women. Having seen their work in this book, there are several photographers whose work I want to investigate further, especially Alec Soth and Taiyo Onorato+Nico Krebs.And the book is definitely more than the sum of its part. Earlier photographers have influenced later ones, but the overall determinant is the American road, that great fact and great metaphor. Since we retired a decade ago, my husband and I have taken many road trips, all over the U.S. I suppose that part of what we were doing was looking for America. So are the photographers whose work is shown in this book, and their visions are unforgettable.

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Ebook Kingdom Relationships: God's Laws for the Community of Faith, by Ron Moseley

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Kingdom Relationships: God's Laws for the Community of Faith, by Ron Moseley

Ebook Kingdom Relationships: God's Laws for the Community of Faith, by Ron Moseley

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Review

A pithy and powerful statement... This little book can shatter the wrong conception of the New Testament as being anti-Torah. --The Messianic Times, Fall 2000Pithy and powerful. Will open the eyes of many toward a more Jewish and accurate understanding of the Bible. --The Messianic Times, Fall 2000

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From the Publisher

Ron MoseleyÂ’s Yeshua: A Guide to the Real Jesus and the Original Church has taught thousands of people about the Jewishness of not only Yeshua, but of the first followers of the Messiah. In this work, Dr. Moseley focuses on the teaching of Torah--the Five Books of Moses--tapping into truths that greatly help modern-day members of the community of faith. PaulÂ’s reminder to Timothy that "all Scripture is valuable for teaching the truth, convicting of sin, correcting faults, and training in right living" comes alive in Kingdom Relationships.

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Product details

Paperback: 64 pages

Publisher: Lederer Messianic Publications (April 2000)

Language: English

ISBN-10: 1880226847

ISBN-13: 978-1880226841

Product Dimensions:

5.5 x 0.2 x 8.5 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#703,382 in Books (See Top 100 in Books)

one of the best books for ALL people. it will change and challenge your life!

I like the format and how the author approached the topic. I like the citation of all the laws. But, it’s a small read and left me wanting more. That’s not the authors fault but I wish this book had delved into additional areas and expanded its review further.

Too short but well done. The author obviously knows his subject and explains it well. I look forward to reading other books by this author.

Very informative. Easy to read.

Good

An exceptional summary of Gods Laws for Christians of our centuryA must read guide for our Christian leaders to return and again teach God's LawsI definitely recommend the book to my friends

In this compact paperback, Ron Moseley shares his concepts of "the Kingdom of God," and his analysis of the Torah laws that are applicable to a non-Jew in the modern world. He distills these down to 179 laws that he discusses in categories, such as personal obligations, interpersonal obligations, and Divine service. Moseley brings to this study graduate and post-graduate studies completed at both Christian and Jewish institutions. Each chapter closes with a "teaching review" or quiz.I found a number of interesting points in the book, insights, and food for thought. The most curious statement for me is on p.21. He writes: "There is no indication that believers are to hold a synagogue or church service on the sabbath." Contrast that with his statement on p. 36 from the section on Care of Animals. He writes: "There are 42 different animals mentioned in scripture. God not only had Adam name each animal, but declared that his covenant includes them (Gen 2:20; 9:9-10). Even the sparrow which falls to the ground is noted by God (Matt. 10:29; Luke 12:6). Not only is man to rest on the Sabbath, but the same provisions are made for the animals (Exod. 20:10). ..." So even animals are to enjoy the sabbath, but we are not to assemble? I am thinking of Hebrews 10:25. This demonstrates the difficulty of condensing so much in just 54 pages--so much must be sacrificed for brevity. I think a reader can recognize why the author leaves some threads loose. At the same time, I think some of the analysis is unfinished. At least, that is the feeling I had in reading the book, which is why I gave it three stars.

This book is primarily written to be used in a classroom setting with study questions following its brief chapters. It's primary purpose is to show how one can apply God's instructions (i.e. the law) to modern day situations. In the process, the author briefly expounds upon what the phrase "Kingdom of Heaven," may have meant to those individuals living in the time of Christ. This book is extremely short and can be read by most in one setting (It took me about an hour) so don't expect an extremely deep work. However, it certainly is worth reading if you are looking for some supporting reading about the Hebraic roots of Christianity.

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File Size: 66 KB

Print Length: 22 pages

Simultaneous Device Usage: Unlimited

Publisher: kernelvm publishing (April 25, 2014)

Publication Date: April 25, 2014

Sold by: Amazon Digital Services LLC

Language: Japanese

ASIN: B00JYH14KA

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Download Ebook , by Nick van der Leek Lisa Wilson

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, by Nick van der Leek Lisa Wilson

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File Size: 1118 KB

Print Length: 282 pages

Page Numbers Source ISBN: 1540353737

Publication Date: October 25, 2016

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Language: English

ASIN: B01M5GI24F

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You will not be able to stop reading these books once you start. At times I feel like the authors are in my head reading my thoughts on this case.

A magnificent work here on the third and final installation of the immensely popular series of narratives,The Craven Silence. I've read Van der Leek and Wilson's work now for several years, and appreciate each and every effort, but for those who haven't, I think the first thing you might notice is just how intelligent they are. This is a boon for obvious reasons, but perhaps the most beneficial asset as regards a quick mind and this case, is the ability to quickly separate at least some of what's relevant, from what isn't. This is invaluable in a case fraught with a voluminous amount of clutter, any number of rabbit holes one could foolishly scurry down at any turn, and one that presents with existing opposing theories. This is no easy feat, but tackle the job though they do, they do it brilliantly, and with aplomb. A trademark of their work, is the effort they put into research, and in my personal experience in reading other books on the Jon Benét case, this effort sets them apart from others. This brings me to the second point a new reader will readily notice and appreciate, which is their work ethic and determination. They provide supporting documentation to accompany any and all of their reasoning at each step along the way, dots are connected, and the end result is a theory of this case that finally has legs. Turns out, this case wasn't nearly as complicated as it initially seemed, but just needed the help of a couple of independent thinkers to apply a healthy degree of discernment, and in some cases, skepticism, to the existing facts of the case, and then present it all in a cohesive manner to the reader. Van der Leek and Wilson have certainly done that. They can also write. This is a gift that truly can't be underestimated in any genre, but is especially the case in true crime, where good writing is sometimes lacking. With their objectivity, reliance on existing facts and new ones they've most certainly established, these two, Van der Leek and Wilson, could have made darn good detectives should they have chosen the profession. As luck would have it, though, they didn't, and readers everywhere can raise a glass to that.

Read the 3 installments on Kindle, and I think you brought an intuitive, intelligent enthusiasm to the interrogation via the psychology of the children. It's underestimated how much damage the sibling rivalry and parental short-sightedness does to the child's personality (and the adults who go with the flow!) It's so clear, in this telling of yours, that there were always two "only child" offspring in the house: first a son who is the only child until a sister comes along. He becomes the "other" child while she is given the turn at being the "only." If only the father had adopted his own boy as fiercly as she sank her teeth into her girl. There'd still have been damaged young people growing up- but they'd at least have grown up physically together and possibly lived equally long lives.

I was pretty hard on the first book in my review, but after completing the series it did get some better. Throughout, there are refences and quotes that don't seem to relate. They talk repeatedly about the bikes but then never follow through on connecting them. They hint that the Stines are involved but never explain their theory. In all the books there is a persistent theme of "we're going to cover this topic in another book" in effort to get you to buy more books. To me this is a cheesy bait and sell scheme which never delivers. A good writer puts the time and effort in to research the topic, compile information and present it in a susinct, complete and understandable way. You will not find that in these books.On the other hand, they do present a good discussion of the psychological side of this case although they never bring it full circle. They have also compiled quotes from different interviews that show discrepancies in the Ramsey's statements.In the end, I did learn things about the case, and considered things I hadn't thought of before, therefore I guess, I'm glad I read it but wish it had been in one book that had been more organized and should have cost around $10 USD.

Exploiting a tragedy. Have you read the Autopsy report? Head wound was inflicted after the strangling. Typos. Poor fact checking.

Very informative. Was not aware of a lot of information you gave. I watched the Dr Phil show and I could not believe how Burke presented himself. There is definitely something wrong with him. He had a diabolical look on his face which said it all. I do believe he killed his sister, and the parents covered it up.

I have always felt sad for the beautiful girl child Jon Benet and I have always wanted to know what happened to her. This book helps to find the answers. I was surprised to learn there was a previous 911 call made from the house during a Christmas party on the 23rd of December. What happened that night? Did Burke do something to Jon Benet? As we saw on the CBS documentary Burke had previously hit Jon Benet below the eye with a golf club. And as we saw on Dr Phill's documentary there's something not quite right about Burke. The revelation that fibre from Patsy's jumper was found on the duct tape on Jon Benet's mouth makes me feel incredulous that the parents got away with covering up what really happened to their daughter. More so to protect their own culpability than there sons and in doing so they denied Jon Benet her truth. There are many more revelations in the book particularly regarding the Ramsey's friends the Stines. It really is worth while reading the whole series. As I was reading I was happy that my father treated my sister and I equally and there was no sibling rivalry. If it was her birthday he would buy her something small too. My sister is my best friend. I am grateful to have had a warm working class upbringing rather than a cold, rich one. Love is more important than expensive toys.

Again a must read....ready for the next book...their viewpoints make a lot of sense...viewpoints I never would have considered ...

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